CUYP, Aelbert

Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.
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CUYP, Aelbert Cows in the Water oil


Cows in the Water
Painting ID::  6346 		Cows in the Water
Panel, 59 x 74 cm Museum of Fine Arts, Budapest
Panel,_59_x_74_cm Museum_of_Fine_Arts,_Budapest
   
   
     
CUYP, Aelbert Evening Landscape with Horsemen and Shepherds dgj oil


Evening Landscape with Horsemen and Shepherds dgj
Painting ID::  6347 		Evening Landscape with Horsemen and Shepherds dgj
1655-60 Oil on canvas Royal Collection, Windsor
1655-60 Oil_on_canvas Royal_Collection,_Windsor
   
   
     
CUYP, Aelbert The Ferry Boat fg oil


The Ferry Boat fg
Painting ID::  6348 		The Ferry Boat fg
1652-55 Oil on wood, 72 x 90 cm Wallace Collection, London
   
   
     
CUYP, Aelbert Herdsman with Cows by a River dfg oil


Herdsman with Cows by a River dfg
Painting ID::  6349 		Herdsman with Cows by a River dfg
1650 Oil on canvas National Gallery, London
1650 Oil_on_canvas National_Gallery,_London
   
   
     
CUYP, Aelbert Landscape dfga oil


Landscape dfga
Painting ID::  6350 		Landscape dfga
1640s Watercolor, 193 x 311 mm The Hermitage, St. Petersburg
   
   
     
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     CUYP, Aelbert
     Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.

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